"With an honest and visual language, 87 creates a poetic depiction that doesn´t deliver any clear-cut answers. The author is not afraid to step over boundaries in order to make the story transcent into an experience."
onsdag 7 maj 2008
87 nominated for best screenplay
"87" and its screenwriter and director CSABA BENE PERLENBERG has been nominated for BEST SCREENPLAY by MALMÖ SCREENWRITERS ASSOCIATION at the 2008 edition of the Swedish regional film event SCANISH FILM DAYS. three films have been nominated. the jurys motivation is as follows:
onsdag 30 april 2008
87 to screen in malmö
"87" will be screened at the regional film showing event "SCANISH FILM DAYS" at Cinema Spegeln in MALMÖ, on May 10th @ 12PM. it will participate in the short film section.
fredag 11 april 2008
Scanish film industry screens "87"
"87" will be shown at the Scanish film industry event "FILM AFTER WORK", in LUND, on the evening of April 11th. the films director CSABA BENE PERLENBERG will be present, as will the films actress IA GUSTAFSSON.
footnote: this showing is not an official event and thus should not be equaled with a festival screening, since participation is based on special invites only.
footnote: this showing is not an official event and thus should not be equaled with a festival screening, since participation is based on special invites only.
måndag 4 februari 2008
87 at CF
"87" is actively represented at the worlds largest short film festival, CLERMONT-FERRAND. producer JOSEFINE TENGBLAD represents HEPP FILM and ANTON BENE FILM in co-operation with the SWEDISH FILM INSITUTE, at the special nordic market screening of the film.
torsdag 24 januari 2008
swedishfilm.org
"87" is now part of the SWEDISH FILM INSTITUTES official gateway to the rest of the world: SWEDISHFILM.ORG. see here for the info page.
söndag 20 januari 2008
87 - press information
SHORT SYNOPSIS
What defines us as the persons we think we are? When does inaction become a reaction? There are as many answers as there are people. And this film is one of them - about the moment that is as unkind to us, as we were to it.
THE DIRECTOR'S COMMENT
The most interesting thing about drama is that which cannot be explained in words; those unimaginable moments where everything we thought we knew, changes so abruptly. I wanted to do a film that relied not upon poignant lines or on a classic narrative, but on a basic scenario, on subtleties and on a basic, eery tone. I truly believe that less is more, and also that, in combination with small hints, I as a director have the right to ask of my audience to create the story with me. The greatest stories are the ones we ourselves fill in the blanks to - the greatest visuals are the ones that we are forced to create in our minds. Nothing is as terrifying or provoking as what we cannot see.
I hope that this film will give the audience an opportunity to pause, and reflect, upon that which is most important in their own lives (and why) and in doing so, being able to move forward.
THE METHOD
While Perlenberg's previous film "The Walk" (Swedish title "Väsenpumpen") consisted of a single, improvised shot lasting for 59 minutes, the directors new short consists of two shots. The majority of the film consists of a one-take, scripted, moving master shot, which involves both an interior and exterior location. The complicated shooting took the crew 8 takes to get it right. The scenery consisted of an eloborate lighting scheme, where lighting was set up from outside-in as well as inside. An entire house was sound rigged for the one take method. While the shooting started out with a glide-cam, it ended up being shot hand-held due to the cramped nature of the house.
ABOUT ACTOR IA GUSTAFSSON
After spending several years in the U.S. and New York City, Ia Gustafsson returned to her native Sweden and her home town of Malmö, only to quickly become involved in several Swedish independent film productions. Her production credits include roles in "Demonicum" (2007, Peang film), the starring role in the indie-feature "Kvartersbutiken" (by Yadi Behrad), "Mjölk/Cigaretter" (2006, Dijalekt Film) and the feature film "Doxa" (2005, Triangelfilm).
Her education includes an actors certificate from The Bonney Studio, a Meisner Plus Program© in New York City (1999-2001), Acting for film & television - Sam De Fazio at New York University (1999), The Actor´s Center, Dangerous Acting - David Pratt, London (1999), and Balettakademien, Musical & theatre, Gothenburg (1988-1991).
More information about Ia Gustafsson can be aquired at her website: iagustafsson.com.
ABOUT DIRECTOR CSABA BENE PERLENBERG
Csaba Bene Perlenberg is one of Sweden's most prolific and interesting new young filmmakers. Having been the first director to be awarded the New Nordic Voices Award for his film "The Walk" at the 2007 Nordic Panorama Film Festival ("a one-take, one-shot masterpiece", the festival called it), 2007 became his break-out year. Having directed some 15 short films, the majority being fiction, his cinematic artisanship has always involved itself with experimentation of the medium itself. Improvisation has been one of his signature methods.
Today, he is associated with hepp film and the producer Helena Danielsson in southern Sweden, but he is also running his own film production company together with another young Swedish director, Magnus Göransson. Together they form Anton Bene Film, which is a part of Korphult Kompani AB. He has studied at PCFE Film School in Prague (film production), New York Film Academy (screenwriting), Brobygrafiska Folkhögskolan (screenwriting) in Sunne as well as studied film history and film science at Lunds University. He is currently a guest faculty member at Campeon Frigymnasium in Helsingborg, Sweden.
What defines us as the persons we think we are? When does inaction become a reaction? There are as many answers as there are people. And this film is one of them - about the moment that is as unkind to us, as we were to it.
THE DIRECTOR'S COMMENT
The most interesting thing about drama is that which cannot be explained in words; those unimaginable moments where everything we thought we knew, changes so abruptly. I wanted to do a film that relied not upon poignant lines or on a classic narrative, but on a basic scenario, on subtleties and on a basic, eery tone. I truly believe that less is more, and also that, in combination with small hints, I as a director have the right to ask of my audience to create the story with me. The greatest stories are the ones we ourselves fill in the blanks to - the greatest visuals are the ones that we are forced to create in our minds. Nothing is as terrifying or provoking as what we cannot see.
I hope that this film will give the audience an opportunity to pause, and reflect, upon that which is most important in their own lives (and why) and in doing so, being able to move forward.
THE METHOD
While Perlenberg's previous film "The Walk" (Swedish title "Väsenpumpen") consisted of a single, improvised shot lasting for 59 minutes, the directors new short consists of two shots. The majority of the film consists of a one-take, scripted, moving master shot, which involves both an interior and exterior location. The complicated shooting took the crew 8 takes to get it right. The scenery consisted of an eloborate lighting scheme, where lighting was set up from outside-in as well as inside. An entire house was sound rigged for the one take method. While the shooting started out with a glide-cam, it ended up being shot hand-held due to the cramped nature of the house.
ABOUT ACTOR IA GUSTAFSSON
After spending several years in the U.S. and New York City, Ia Gustafsson returned to her native Sweden and her home town of Malmö, only to quickly become involved in several Swedish independent film productions. Her production credits include roles in "Demonicum" (2007, Peang film), the starring role in the indie-feature "Kvartersbutiken" (by Yadi Behrad), "Mjölk/Cigaretter" (2006, Dijalekt Film) and the feature film "Doxa" (2005, Triangelfilm).
Her education includes an actors certificate from The Bonney Studio, a Meisner Plus Program© in New York City (1999-2001), Acting for film & television - Sam De Fazio at New York University (1999), The Actor´s Center, Dangerous Acting - David Pratt, London (1999), and Balettakademien, Musical & theatre, Gothenburg (1988-1991).
More information about Ia Gustafsson can be aquired at her website: iagustafsson.com.
ABOUT DIRECTOR CSABA BENE PERLENBERG
Csaba Bene Perlenberg is one of Sweden's most prolific and interesting new young filmmakers. Having been the first director to be awarded the New Nordic Voices Award for his film "The Walk" at the 2007 Nordic Panorama Film Festival ("a one-take, one-shot masterpiece", the festival called it), 2007 became his break-out year. Having directed some 15 short films, the majority being fiction, his cinematic artisanship has always involved itself with experimentation of the medium itself. Improvisation has been one of his signature methods.
Today, he is associated with hepp film and the producer Helena Danielsson in southern Sweden, but he is also running his own film production company together with another young Swedish director, Magnus Göransson. Together they form Anton Bene Film, which is a part of Korphult Kompani AB. He has studied at PCFE Film School in Prague (film production), New York Film Academy (screenwriting), Brobygrafiska Folkhögskolan (screenwriting) in Sunne as well as studied film history and film science at Lunds University. He is currently a guest faculty member at Campeon Frigymnasium in Helsingborg, Sweden.
87 - technical specifications
Original title
87
English title
87
Runtime
16min
Genre
Drama
Actors
Ia Gustafsson
Leida Vaher
Directed and written by
Csaba Bene Perlenberg
Produced by
Helena Danielsson
Csaba Bene Perlenberg
Co-produced by
Magnus Göransson
Lars Göransson
Director of photography
Jarno Lee Vinsencius
Soundrecording and sound design
Jonas Göransson
Additional sound design and mix
Martin Henell, Good Post
On-line and color-correction
Johan Eklund, Good Post
1st AD
Magnus Göransson
Production assistants
Susanna Winqvist
Additional footage
Jennifer Oldby
Assistant to the actors
Linda Vaher
Production companies
hepp film
Anton Bene Film - a part of Korphult Kompani AB
Co-produced with
FilmCentrum Syd
Film i Skåne, Joakim Strand
With support from
The Swedish Film Institute,
short film consultant Ann-Marie Söhrman-Fermelin
Recording format
Mini-DV (Panasonic AG-DVX100, progressive)
Recording ratio
16:9
Screening format
Mini-DV, DV-CAM, Beta-Sp
Screening aspect ratio
2,35:1 (Cinemascope)
Sound
Stereo
Language
Swedish
Subtitles
English
Country
Sweden
Year
2008
Contact
Hepp Film
Kastellgatan 13,
211 48 Malmö
Sweden
87
English title
87
Runtime
16min
Genre
Drama
Actors
Ia Gustafsson
Leida Vaher
Directed and written by
Csaba Bene Perlenberg
Produced by
Helena Danielsson
Csaba Bene Perlenberg
Co-produced by
Magnus Göransson
Lars Göransson
Director of photography
Jarno Lee Vinsencius
Soundrecording and sound design
Jonas Göransson
Additional sound design and mix
Martin Henell, Good Post
On-line and color-correction
Johan Eklund, Good Post
1st AD
Magnus Göransson
Production assistants
Susanna Winqvist
Additional footage
Jennifer Oldby
Assistant to the actors
Linda Vaher
Production companies
hepp film
Anton Bene Film - a part of Korphult Kompani AB
Co-produced with
FilmCentrum Syd
Film i Skåne, Joakim Strand
With support from
The Swedish Film Institute,
short film consultant Ann-Marie Söhrman-Fermelin
Recording format
Mini-DV (Panasonic AG-DVX100, progressive)
Recording ratio
16:9
Screening format
Mini-DV, DV-CAM, Beta-Sp
Screening aspect ratio
2,35:1 (Cinemascope)
Sound
Stereo
Language
Swedish
Subtitles
English
Country
Sweden
Year
2008
Contact
Hepp Film
Kastellgatan 13,
211 48 Malmö
Sweden
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